La neurología en Las aventuras de Tintín / Neurology in The Adventures of Tintin

Introducción: La presencia de la enfermedad es un hecho recurrente en la famosa saga del autor Hergé, Las aventuras de Tintín, que se ha reflejado en algunos trabajos publicados. No obstante, la aparición de la enfermedad neurológica en la obra ha sido un hecho poco analizado. Desarrollo:Revisión de los síntomas neurológicos en los álbumes publicados desde 1930 a 1976 y su interpretación desde un punto de vista neurológico. Se han analizado los posibles síntomas neurológicos en los principales personajes de la serie. El trauma craneal, las secuelas neurológicas del alcohol y la demencia podrían explicar algunos comportamientos de los personajes. En este trabajo se exponen éstos y su probable interpretación desde un punto de vista neurológico. Conclusión: La presencia de la enfermedad neurológica en la serie Las aventuras de Tintín ha sido poco analizada e interpretada. La obra puede usarse como ejemplo divulgativo de la enfermedad neurológica.(AU)

Introduction: The presence of disease is a recurring theme in Hergé’s famous saga, The Adventures of Tintin, and has been reflected in a number of publications. However, the appearance of neurological disease in the work has received little attention from scholars. Development: A review was conducted of the neurological symptoms that appear in the work published from 1930 to 1976 and their interpretation from a neurological point of view. The possible neurological symptoms in the main characters of the series have been analysed. Head trauma, the neurological sequelae of alcohol and dementia could explain some of the characters’ behaviour. This study outlines these cases and their probable interpretation from a neurological perspective. Conclusion: Hardly any analyses and interpretations have been carried out on the presence of neurological disease in The Adventures of Tintin series. The work can be used as an informative example of neurological disease.(AU)

[Neurology in The Adventures of Tintin]. / La neurología en Las aventuras de Tintín.

INTRODUCTION: The presence of disease is a recurring theme in Herge's famous saga, The Adventures of Tintin, and has been reflected in a number of publications. However, the appearance of neurological disease in the work has received little attention from scholars. DEVELOPMENT: A review was conducted of the neurological symptoms that appear in the work published from 1930 to 1976 and their interpretation from a neurological point of view. The possible neurological symptoms in the main characters of the series have been analysed. Head trauma, the neurological sequelae of alcohol and dementia could explain some of the characters' behaviour. This study outlines these cases and their probable interpretation from a neurological perspective. CONCLUSION: Hardly any analyses and interpretations have been carried out on the presence of neurological disease in The Adventures of Tintin series. The work can be used as an informative example of neurological disease.

TITLE: La neurología en Las aventuras de Tintín.Introducción. La presencia de la enfermedad es un hecho recurrente en la famosa saga del autor Hergé, Las aventuras de Tintín, que se ha reflejado en algunos trabajos publicados. No obstante, la aparición de la enfermedad neurológica en la obra ha sido un hecho poco analizado. Desarrollo. Revisión de los síntomas neurológicos en los álbumes publicados desde 1930 a 1976 y su interpretación desde un punto de vista neurológico. Se han analizado los posibles síntomas neurológicos en los principales personajes de la serie. El trauma craneal, las secuelas neurológicas del alcohol y la demencia podrían explicar algunos comportamientos de los personajes. En este trabajo se exponen éstos y su probable interpretación desde un punto de vista neurológico. Conclusión. La presencia de la enfermedad neurológica en la serie Las aventuras de Tintín ha sido poco analizada e interpretada. La obra puede usarse como ejemplo divulgativo de la enfermedad neurológica.

A mirror in fiction: drawing parallelisms between Camus's La Peste and COVID-19.

COVID-19 represents one of the most challenging global health issues in modern times. However, as epidemics have affected humans since our origins, many before us have described how significantly they compromise human lives. Leaving apart the aspects more linked to medicine and health sciences, we focus here on analysing how epidemics force people to change their habits, what type of emotions and behaviours they promote, and which roles are played by different social actors. For such a purpose, especially if we wish to draw some parallels between past epidemics and COVID-19, historical records seemed to be more suitable than literary works. Nonetheless, we have taken this approach relying on La Peste (Albert Camus, 1947), a novel based on a fictional epidemic of plague in the Algerian town of Oran. Far from creating a barrier separating fiction from reality, this reading allowed us to establish several links with our current situation. Recognising that context and solutions vary widely between the two scenarios, core matters concerning epidemics seemed to remain invariable. The important role of data and statistics, the leadership acquired by health authorities, the separations of relatives or the negative effects on trade and business are some issues which took place in Oran as well as nowadays. Besides that, epidemics also affect humans at an individual level, and certain thoughts and feelings in La Peste's main characters may make us identify with our own fears and desires.

Anaesthesia in Indian Detective Fiction; The curious case of Byomkesh Bakshi.

Spinal Anesthesia; Procaine; Fictions.

Horace Wells as a classic tragic hero.

Horace Wells is discussed in a literary manner as a classic tragic hero. Wells' apparent failed end is not the ultimate truth concerning him. His story helps us see and confront life. Many of the scientific, personal, and social issues he grappled with are relevant to us today such as human experimentation and drug addiction. His idealism and romantic pursuit are to be admired. We benefit today from the achievements of his daring and fateful quest.

The Snake Pit: Mixing Marx with Freud in Hollywood.

In 1948, the motion picture The Snake Pit was released to popular and critical acclaim. Directed by Anatole Litvak, the film told of the mental illness and recovery of one patient, who survived overcrowding and understaffing and was treated by a neo-Freudian psychiatrist known as Dr. Kik. It was based on a novel of the same title by Mary Jane Ward, who had been treated at Rockland State Hospital in New York. Building upon exposés of horrid hospital conditions in the press, The Snake Pit helped motivate reforms in the treatment of the mentally ill. Via unpublished correspondence and drafts of the film's screenplay, this article explores the populist and antifascist themes in The Snake Pit, which came from the director, screenwriters, and the politics of the immediate post-WWII era. It also describes the case history of Mary Jane Ward and her treatment by Gerard Chrzanowski, the real "Dr. Kik." (PsycInfo Database Record (c) 2021 APA, all rights reserved).

The genealogy of dwarfs: reproduction and romantic mythology in Goethe's New Melusine.

Goethe's studies of natural form have occupied generations of scholars and the discussion on the relationship between Goethe's thought and evolutionary theory has never ceased since Haeckel's claims in the late nineteenth century. In scholarship which has aimed to address the question of change in Goethe's concept of nature, the focus has been primarily on his scientific writings. Aiming for a comprehensive understanding of Goethe's thought on reproduction, this article sets out to contribute to the ongoing debate by focusing on his literary text The New Melusine, a story centred on a dwarf figure. Examining texts by naturalists such as Buffon, Humboldt, and Darwin, the article demonstrates how Goethe, in the speculative framework of a literary text, explores patterns of transformation by means of sexual reproduction which did not make it into his better known scientific writings on plant morphology and comparative anatomy. I argue that the Melusine story becomes for Goethe a space to consider a new understanding of reproduction, its transformative power, and biopolitical possibilities, while at the same time providing an opportunity to reflect critically on its consequences for the individual.

Could Johnny Tremain Be Gay? Reinterpretation as a Subversive Act.

Members of sexual minority groups confront a dearth of fictional characters in k-12 curricula with whom they can feel any affinity, particularly in regard to sexual orientation. This is especially problematic for readers who are at odds with themselves and/or society over cultural constructions of normalcy. Queer theory can address this issue by encouraging readers to contest the putative heteronormativity in works of literature. The perennially popular novel Johnny Tremain provides such an opportunity. Though the author, Esther Forbes, depicts the main protagonist as heterosexual, a queer analysis of the novel and comparison to the subsequent film version by Walt Disney suggest that other interpretations are possible. This is significant because healthy identity formation can be fostered by encountering positive portrayals of fictional individuals like oneself. Moreover, promoting self-esteem is consistent with the praxis - the "activist agenda" - that has become an important element of queer criticism.

'Ghosts from other planets': plurality of worlds, afterlife and satire in Emanuel Swedenborg's De Telluribus in mundo nostro solari (1758).

In 1758 in London, Swedish natural philosopher and mystic theologian Emanuel Swedenborg published De Telluribus in Mundo nostro Solari (Earths in our solar system), a treatise on the plurality of worlds and life on other planets. During the seventeenth and eighteenth centuries, these topics formed a heterogenous literary genre which encompassed theology, astronomy, philosophy and satire. In De Telluribus, Swedenborg made detailed claims of communication with extraterrestrial spirits in the afterlife, through which he sought to spread his theology to new audiences. The paper will explore the role of De Telluribus in Swedenborg's career, explain its content and analyse its polarized reception. It will show that De Telluribus combined for the first time the literary codes of two popular genres during the period, namely those concerning the plurality of worlds and the dialogues of the dead. By doing so, the paper revises current scholarly understanding of Swedenborg by showcasing him as a versatile yet ill-fated recombiner of literary genres. More broadly, the paper will shed light upon previously unnoticed eighteenth-century literary interactions along with a wider overview on the reception of themes such as the plurality of worlds, mysticism and satire in Scandinavia and Germany.

I Thought I Must Have Expired - Experiences of Surgery Before Anaesthesia.

In 1812, Frances (Fanny) Burney (born in 1752 and died in 1840) underwent a mastectomy performed by Larry without anaesthesia. In the days after surgery, Burney wrote a letter to her sister, Esther Burney, describing her experience. In total, the letter is four pages long including information on before, during and after the surgery. Although this letter has been cited in numerous texts, it has yet to be analysed from multiple perspectives, shedding new light on the history of anaesthesia.

Claire Fraser, RN, MD, OMG: history of medicine in the Outlander novels and series.

This article discusses how Claire Randall, RN, MD, the fictional protagonist of Diana Gabaldon's widely popular Outlander series, uses her knowledge of twentieth century medicine in her adventures in eighteenth century Scotland, France, and America.